From The Dictionary of Sidney
I regularly try to take a course that inspires my art and creativity. I just started one from the Univ of Newcastle, Australia, on Natural History Illustration.
This morning has been an introduction to historical illustrators from the Hunter Valley area in Australia. I have fallen in love with Helena and Harriet Scott’s work from the mid 19th century.
Their work is exquisite.
NOTE: There is actually an ap of their work. Talk about making the old new again!
This year I finished my calendar in very good time and did not have to drag the project out through January! Yay! I made it easier on myself with large photos of Tennessee and photos of our ancestors from the Smokey Mountain area.
I have been doing this calendar for 14 year now (or was this 15 – I can’t remember!) For information on how they are made, you can look at an older post like last years.
I have broken out into a whole new phase of my ornament painting. Realistic nature!
Remember the Inktober drawing I did of a hummingbird? The photographer of the “model” for that image contacted me to commission an ornament. Something I had not contemplated before.
I had never painted a hummer in oils, and certainly not on a curved surface. I started it then panicked, “I can’t do this!”
However, I know my process pretty well by now and panic is part of it. So I broke state, went shopping, then came back and was in a much more steadied state to finish the first layer. I began to breathe again.
After a couple of days to let that dry to a tacky surface, I began shaping the next layers, pushing paint around and making tiny little touches. Finally, today I finished it and feel like I have had a tremendous breakthrough in my art. This will always have a special place in my heart. I plan to use this little Rufous Hummingbird to help me push through some watercolor practices in the next month. He is very inspiring.
A commission for a graphite drawing of an office building as a gift for the owner turned into a watercolor, which they chose.
First I figured out which vantage point to take with this long, low building. Then I mocked up the basic lines to make sure I was good with that decision. Next, the pencil drawing. I am not a fan of my pencil work. So on to ink and watercolor, urban sketch style. I was happy and so were they.
Thanks, Moser team, for pushing me into doing some urban work in the middle of my oil and Christmas season. Fun!
A palette for a white dog.
The date is 2017 to commemorate getting the home last year, but this was a commission for this year.
Painting the love in peoples life – preserving memories for their tree.
I was looking at the magnified detail that can not be seen with the naked eye and it hit me that it is impressionistic.
I push paint around and create the impression of their pet. Often with a 000 sized brush and a cat’s whisker (the cats participate via donations throughout the year.)