For the word, Precious, I had to do my newest nephew, Isaac. However, I am not confident with portraits, so I worked him up in graphite pencil first. Then inked it. I plan to keep working on more portraiture, because it is such a challenge with great reward when you get it right.
Flowing is in process. Cruel was next. I did a fast sketch just for fun and have no intention of reworking it. I did not like this prompt until I thought of how cruel it is when birding to discover a wonderful one was behind you the whole time. In this case, a Sandhill Crane. I shared a throwback to last year to show I really can draw these birds. Cartoon style is still a struggle for me.
I skipped Whale and went straight to Guarded. This was a very technical drawing, so I sketched it first, then inked it.
We ended on clock, which did not inspire me, so I skipped it. I am batting a low average this Inktober. 5 last week and 4 this week. We will see if we can’t beef that up next week.
I am pushing myself to try different styles – quick drawings, purposeful drawings, tiny lines, emotion on faces, events.
Following the prompts of Inktober has been great at stretching my creativity and I hope expanding my range (depth and breadth.)
This has been the year for sketching the birds I am photographing and spending time watching all the youngsters figure out their big new world. I started last fall doing the above types of 5 second sketches.
I like to use ink for the initial sketches because it forces me to capture their essence without overworking and overthinking it. Perfection is not the aim and ink is always full of lines that can not be erased, so that forces my letting go of the OCD side of my personality.
This month I started spending a little more energy on the initial sketch then adding various views of the same bird in pencil. We have had so many Downy Woodpecker babies this year that I decided to catalog them to see who sticks around. Did you know that you can tell them apart by their head stripes? It has been fun and very illuminating to learn about these individuals visiting my feeder.
Note: I have been naming them only because it is easier to talk about them with a name versus – “you know, that one with the squiggly stripe…”
This year the topic was my father’s life in the 1940s and 1950s.
Some favorite months:
As usual, it was quite the production, but the hardest part was pulling the story together from scattered information and secondly, managing so many photos per page. However, the Supervisor was quite pleased.
What does an artist do when she blows 2 tires on her new car and her sister and family, Sunday soup in hand, come riding to the rescue in their clunkety van? She draws a thank you!
Note: Coup Fourre is a reference to a rescue card in the game of Mille Bornes, which the kids insisted would have helped me a lot. I told them that they were my coup fourre.
Their unabashed joy in the whole situation made it not so bad. A month later, their poor van gave up the ghost itself, but it was useful for several family rescues over the years.
Note: It has only been recently that I learned to illustrate. Much thanks to a class I took during my graphic design degree. Thank you, Jacob!
I love this tiny book that belonged to my mother – probably from the 1940s.