This particular week I did a couple of prompts but mostly simply practiced mostly from my own photos except on the two specified. I have to retrospectively
#7 Enchanted was some quick gestures of a Carolina Wren that enchanted me on my hike at Ritchey Woods over the weekend.
#8 is Frail – I was busy illustrating a comment on Facebook, so skipped this one and drew the hippie chicken above. However, I kept thinking of our frail ecosystem. Maybe I will revisit this word.
# 9 – did not use a prompt – Whitetail Deer Photo reference – John Baughman – https://www.facebook.com/JustJohnsNature/
#10 no prompt – Blackpoll Warbler Photo reference – Jining Han posted on Indiana Birdography
#11 – no prompt – one of our bunnies that live in our wild wood. I called him Notch.
The remaining day was spent sketching with a pencil. I worked on a child’s face and also on Christmas ornaments over the weekend. I did do some quick gestures in ink that are in a random sketchbook somewhere.
The final lesson was about fur, feathers, and creating the illusion of depth. This was intense and I have much admiration for people who do Natural History Illustration for a living!
This was a great class and I have learned so much!
This was a week of working on tones (no details) and looking at how the eyes are made, reflections, cast shadows etc.
I chose one of our local squirrels to be the subject – a little hazelnut thief. I am a sucker for them every time, though. They run around trying to bury huge walnuts in our lawn. So funny!
I find that I need more practice finding the structure and geometric shapes – then examining all the shading and light source. This has been more of a cerebral exercise than I am used to.
I need to do more of this. Nothing wrong with picking up the pen or paints and having at it, but stopping to think about the details and remembering why things look the way they do is a good practice. This has been an excellent course.
NewcastleX: NHI101xDrawing Nature, Science and Culture: Natural History Illustration 101 – EDX Link
A study in my various pencils – this is a common thing to do to get comfortable with the tools for the current project.
The Natural History Illustration course has been fun and a lot of learning is happening. Some of the homework included unfinished sketches demonstrating the learning techniques.
First activity was to work with natural items, breaking them down into geometric shapes, working their curves, etc. and this shell really showed me how rusty I am.
We then did field sketches of birds. Some people really finished them out. I need to spend time doing more of that, but part of my problem in the field is thinking things have to be perfect. I am working to let go of that and just get it down on paper first. Also, this was sketch paper and I knew better than to try watercolors, but did it anyway. It is a learning and reminding process.
I learned about studying flowers and how to turn them into geometric shapes (not pictured), measure, and make notations. This lesson was interesting, but I found it a bit too detailed for me. I love seeing these types of illustrations. I hate doing them.
This was about learning how to quickly capture form and essence of mammals. Now we are getting into my “love”.
We studied skeletal structure, which I actually found quite fascinating. I used one of our raccoons who was trying to get to our bird feeder as my model and tried 3 different gesture drawings for each pose. This lesson was real helpful and I enjoyed it immensely. I may be studying skeletal structures a bit more!
The preliminary blocking activities were very helpful. I normally jump right to this type of gesture drawing above, but doing the 2 preliminary gestures made doing this one so much easier and correct. That was an interesting ah-ha for me!
This was a practice on how to block off parts of birds using circles, ovals, and geometric shapes – which is difficult for me to do. We also looked at how their skeletal structure is made.
I am going to have to practice this a lot more and, for once, I am excited about practicing!
From The Dictionary of Sidney
I regularly try to take a course that inspires my art and creativity. I just started one from the Univ of Newcastle, Australia, on Natural History Illustration.
This morning has been an introduction to historical illustrators from the Hunter Valley area in Australia. I have fallen in love with Helena and Harriet Scott’s work from the mid 19th century.
Their work is exquisite.
NOTE: There is actually an ap of their work. Talk about making the old new again!
I have broken out into a whole new phase of my ornament painting. Realistic nature!
Remember the Inktober drawing I did of a hummingbird? The photographer of the “model” for that image contacted me to commission an ornament. Something I had not contemplated before.
I had never painted a hummer in oils, and certainly not on a curved surface. I started it then panicked, “I can’t do this!”
However, I know my process pretty well by now and panic is part of it. So I broke state, went shopping, then came back and was in a much more steadied state to finish the first layer. I began to breathe again.
After a couple of days to let that dry to a tacky surface, I began shaping the next layers, pushing paint around and making tiny little touches. Finally, today I finished it and feel like I have had a tremendous breakthrough in my art. This will always have a special place in my heart. I plan to use this little Rufous Hummingbird to help me push through some watercolor practices in the next month. He is very inspiring.
A commission for a graphite drawing of an office building as a gift for the owner turned into a watercolor, which they chose.
First I figured out which vantage point to take with this long, low building. Then I mocked up the basic lines to make sure I was good with that decision. Next, the pencil drawing. I am not a fan of my pencil work. So on to ink and watercolor, urban sketch style. I was happy and so were they.
Thanks, Moser team, for pushing me into doing some urban work in the middle of my oil and Christmas season. Fun!